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Pieter Aertsen Apostles Peter and John oil painting


Apostles Peter and John
Painting ID::  84688
Pieter Aertsen
Apostles Peter and John
Date 1575(1575) Medium Oil on wood Dimensions Height: 55.5 cm (21.9 in). Width: 76 cm (29.9 in). cjr

   
   
     

Pieter Aertsen adoration of the Magi oil painting


adoration of the Magi
Painting ID::  85168
Pieter Aertsen
adoration of the Magi
1560(1560) Medium Oil on panel Dimensions 167.5 x 180 cm (65.9 x 70.9 in) cyf

   
   
     

Pieter Aertsen Market Scene oil painting


Market Scene
Painting ID::  85876
Pieter Aertsen
Market Scene
1550(1550) Medium Oil on oak Oil on panel cyf

   
   
     

Pieter Aertsen Apostles Peter and John oil painting


Apostles Peter and John
Painting ID::  88591
Pieter Aertsen
Apostles Peter and John
1575(1575) Medium Oil on wood cyf

   
   
     

Pieter Aertsen The Presentation in the Temple or the Circumcision oil painting


The Presentation in the Temple or the Circumcision
Painting ID::  90761
Pieter Aertsen
The Presentation in the Temple or the Circumcision
c. 1560(1560) Medium oil on panel Dimensions Height: 190 cm (74.8 in). Width: 73 cm (28.7 in). cjr

   
   
     

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     Pieter Aertsen
     1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

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     | Robert Koehler | SALINI, Tommaso | Paul Huet |


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